Ballads, passages, physical tales of nearby things to music performed live, on the stage of the Sala Petrassi at the Auditorium Parco della Musica Ennio Morricone, by Michele Rabbia, Julien Desprez, Julien Loutelier, and Roberto Negro.
Four women on the edge of the fragility of time are taken on an adventure between omens and fatalities of time in a space inhabited by dancers and musicians fading into each other. An agora that offers ceremonies and meetings of a community in the making in a subdued, vibrant atmosphere studded with infinite gestural details.
At the center of the reflection is the woman's heroism and her placing her body in the face of injustice, a body that reacts to requests to escape reality.
In an open space, on which are four musical stations, a listening ceremony takes place, and a fatal attraction unfolds between sounds and bodies, between dreamlike space and transmitted gestures.
The formalization of images in measures and rhythms, stanzas, and refrains, seeks to capture compassion, the gift of fragility. Memory restores the always missing movement of something. From a well-spring and unexpected seed, a form of a game is born. In it, the body is a continuous happening of listening and touching and encounters that seem to take place after dark, in nocturnal weather.
Approaching each other, moving towards each other, wonderful and playful encounters emerge. The event is not only what happens but what happens opens up to the future: an event composed of stories of the neighborhood, proximity, and coexistence between musicians and dancers, sound and gestures.
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