Fifty works recounting the fifty-year career of one of the most striking sculptors on the international scene, the queen of pop super-realism who placed the representation of the body at the center of her art.
Palazzo Bonaparte is hosting the first exhibition in Europe dedicated to Carole A. Feuerman and her artistic career, from her early experiences in the 1970s to the present day, featuring hyperrealistic figures, sensual bodies and installations that question the fragility and strength of human beings. An intense and surprising exhibition where the body is not just an object to be contemplated but a container of emotions, a living presence that speaks a universal language and reflects the contradictions of contemporary society.
Walking through the exhibition rooms, we discover and follow the evolution of her practice and technique. From her early drawings and works from the 1970s, which depict fragments of the female body often laden with erotic implications, connected to the dynamics of postmodernism and feminist demands, we arrive at the creations of the following decades, rich in minute details and expressions. For example, the swimmer emerging from the sea with her skin covered in drops of water, the bather in a bikini with a colored ball, the woman meditating in yoga sitting on a sphere.
Made from different materials – resin, bronze, silicone, stainless steel and paint – Carole A. Feuerman’s works are a small theatre of human interiority, a micro universe that speaks of beauty, identity, memory and transformation.
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